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Hansel and Gretel review: The sweetest panto in town! | Thetford Players Panto 2026

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Thetford Players are celebrating after the resounding success of their latest pantomime, Hansel and Gretel.

A wide stage photograph showing the full cast of a Hansel and Gretel pantomime standing in a line at the front of the stage, all with their arms raised in a final bow. The performers are dressed in colourful fairy-tale costumes including gingerbread characters, bakers, villagers, woodland characters and candy-themed outfits. Behind them is a large gingerbread house set against an autumn woodland backdrop. Stage lighting highlights the cast, with the audience visible in shadow at the bottom of the image.
The cast of Hansel and Gretel. Image © Pat Mitchell

This year’s production was written by Thetford’s own Soan Sisters, Frankie and Maddie, who also directed and produced the show alongside executive producer Jo Cooper. Carefully crafted, the traditional fairytale was refreshed with the addition of new characters, lively comedy and some artfully placed innuendos, ensuring laughter flowed throughout.

Carol and Andy Smith brought the show to life with fantastic costumes and set design, including a stunning gingerbread house to rival professional theatre productions, with support from props manager Jo van der Hulks, lighting by Garry Fitch and sound by Arron Peters.

A stage scene from a Hansel and Gretel pantomime showing a group of performers in traditional fairy-tale costumes. At centre, a man dressed as a woodcutter or trader gestures while holding a red-and-white striped box labelled “Carved Pine Wood,” speaking to a woman in a green dress with a bright green wig. Around them, children and adults dressed as villagers and bakers in red-and-white gingham costumes look on, some with arms folded. The backdrop shows colourful illustrated village houses, and the stage banner below reads “Hansel and Gretel – a Soan Sisters pantomime.”
Image © Pat Mitchell

The audience was whisked away to Schnitzelton with a strong opening rendition of Candy by Robbie Williams, setting the scene for a truly unique panto experience. The live band performed a carefully curated, sweet-themed soundtrack, with lyrics cleverly adapted to fit the storyline. Joining the band this year was new drummer Edward Harris, a talented 11-year-old who rehearsed each number during his regular drumming lessons and slotted seamlessly into the established group. Charley Holt’s original choreography further enhanced both the soundtrack and the script. All the traditional ingredients of a great panto were present, with audience participation encouraged from the very start.

Panto favourite George Cooke did not disappoint in his second outing as a dame, forming a sublime partnership with Adam Bond as Jack Lumber, Hansel and Gretel’s father and love interest of Victoria Sponge. James Trayton played Colin, the Dame’s son and friend to Hansel and Gretel, acting as a perfect foil to the exuberance of his mother and Jack. One audience member declared it was the best panto she had ever seen, with another saying: “It was a wonderful night. It was my children’s first time at the panto and definitely not the last. It was perfect to say the least!”

A close-up stage scene from a Hansel and Gretel pantomime lit in dramatic green lighting. Three performers stand together against a painted forest backdrop: at centre, a woman dressed as the Witch wears a pointed hat and a bark-textured dress, pulling a theatrical grimace as she gestures mid-song or dialogue. On either side of her, two performers dressed as gingerbread characters in brown costumes with icing-style trim look towards her with concerned and wary expressions, suggesting a tense but comedic moment in the scene.
Image © Maria Cooke

Emma Kelly clearly relished the role of the baddie, delivering a strong performance as the Evil Witch and drawing boos galore with every appearance. Taking villainy to new heights were Zoran Hanitzsch and Anna Kedge (pictured) as Gingey and Whingey, the Witch’s gingerbread henchmen, who served up plenty of laughs. It was the first time the pair had shared the stage since 2018.

A brightly lit stage scene from a Hansel and Gretel pantomime shows three performers dressed as bakers behind a pink, sprinkle-decorated baking counter with a large mixing bowl and a bag of flour. The bakers wear white chef’s outfits with tall hats trimmed in green, blue, and red, and react with amused and sceptical expressions. To the right, a performer in an elaborate floral dress with a wide pink belt and a large curly red wig adorned with flowers gestures theatrically towards them, mid-performance, creating a playful and comedic moment.
Image © Maria Cooke

This year’s comedy double act evolved into a trio, with Nat Holding joining Phil Pearson and Stuart Wright, bringing a fresh twist to Thetford Players’ longest-running duo. Nat was joined on stage by his wife, Linzi, who delivered a convincing wicked stepmother during the first half.

Following their success in The SpongeBob Musical – Youth Edition, Reece Fuller and Ebony Bailey took on the principal boy and girl roles with enthusiasm, while Summer-Brooke Harvey tied the show together beautifully as Candy Cane the Fairy, the show’s narrator.

A lively dance scene from a Hansel and Gretel pantomime shows a group of performers moving in unison across a forest-themed stage. Several dancers wear bright red dresses with tulle skirts, striped red-and-white tights, and fairy wings, while others wear matching red costumes with festive hair accessories. One performer at centre-right wears green lederhosen with a checked shirt and a green hat, stepping in time with the group. The cast smile and concentrate on the choreography, with the colourful woodland backdrop and stage lighting enhancing the energetic, playful atmosphere.
Image © Pat Mitchell

The principal cast was supported by an energetic ensemble of all ages, who sang and danced their hearts out while popping up throughout the show as villagers, police officers, fairies and even a gummy bear, in a playful new take on the traditional ghost scene.

Speaking about this year’s production, retiring Chairperson Jo Cooper said: “This is my last panto as chair of the group, and it’s been more amazing than I could ever have expected. Everyone has worked so hard, and it’s been fabulous to have an original script again. I’ve absolutely loved it, and I’m going out on a blinder.”

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